Fantasy Backgrounds:
Elina's Tree Tips
Example Images and text by Elina, compiled by Jessica Cathryn:
Special thanks for Elina for contributing her amazing tips on trees to this project. Please visit her website:
"I like drawing trees. Especially the bumpy lumpy old trees that have more life growing from them than in them."

One of the more difficult parts I've noticed is getting those lumps on the trunk right, so that they look natural and not just wrinkles on a cloth drawn over the trunk. They do act a bit like cloth wrinkles, though. They gather around places where a branch grows out of the trunk, and if the trunk is at all twisted (as mine usually are), the "wrinkles" look stretched from the twist. Like cloth, just very thick and rough cloth. It helps to think of the bark as the tree's skin, which it is.

Another thing I found difficult in the beginning, and which I notice a lot of other tree-beginners find difficult, too, is ending the tree. Roots may go fine, and the trunk, but the top ends up looking like the tree's been cut from halfway up and there's branches growing from the stump.
Branches don't grow just from the top of the tree*, and they don't all necessarily point up. The cut-look is fixed by remembering that the tree gets narrower on the way up; it grows by creating new layers on itself (yes, the growing takes place from the inside, pushing the older layers into a wider and wider cylinder around the new ones, but that sounded simpler somehow), and in the process the base gets thicker, and the top higher.

*of course different kind of trees have different kind of branches, though. I mostly draw deciduous trees, but for example spruces and pines differ a lot in how high you have to go for living branches.
Suggested Influences
For influences I'd probably mention Mårdøn Smet (a Danish comic artist.) and Loïc Jouannigot (french children's book illustrator).They make lovely trees.
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